Marty Friedman Soon to Release Two New Songs

The former guitarist for Megadeth will soon release the third part to his “Tokyo Jukebox.” The series started in 2009, with a sequel following in 2011. Marty Friedman has adopted the culture as inspiration for the on-going series. 

Marty says, “I’ve been playing stuff from the first two Jukebox albums live all over the world, and it’s taken on a life of its own. Especially in places like North and South America, Australia, Italy, France, and even India. My fan base is very dedicated, and what I have found is that lots of new fans have been introduced to Japanese music and culture through me, which is very gratifying. On the tours, it seems like aside from the dedicated guitar fans, the Japan fanatics have been noticeably growing, so now felt like the right time to do Tokyo Jukebox 3.”

It wasn’t as easy as picking a couple of songs to cover. According to Marty, recording copywritten work is a more “involved process” in Japan. He explains, “In Japan, you have to get permission to record and release cover versions, and that can be a very tricky and long process. So, the last thing I wanted to do was to ask permission to do a song, only to wind up not recording it for whatever reason. That would be very impolite. I spent several weeks choosing songs and demoing them to see whether I could create versions that I could get pumped up about, before I even approached any publishers. I came up with a short list of 20 songs, and from this chose about 15 that I knew I could really score with.”

He issued a pair of tracks, “Makenaide,”

as well as “The Perfect World” (which dates back to 2018). They will both be available for preorder this year. Marty recently posted a music video for “The Perfect World.” 

Marty recalls, “Back then, I did the song with Jean-Ken Johnny from Man With A Mission on vocals, and that was used as the main theme for the Netflix series B: The Beginning. On the day of release, the song went straight to the top of the Japanese iTunes chart. It’s really a self-cover, so it fits in with the idea of this being a covers album.”

Marty recorded most of the series at Power House Studios in Tokyo. He was the producer and worked alongside drummer Anup Sastry and bassist Kiyoshi.  

“Kiyoshi has been in my band for about six years now doing all my tours and recordings. She is a powerhouse, and I honestly have never seen anyone hit the bass as hard as she does, especially while keeping up with my kind of challenging music. Anup was a member of Skyharbor (an Indian/American progressive metal band) and has been on my last three albums. He is just plain phenomenal as well.”

Adiah Michelle

Cutting through the noise Adiah Michelle writes thought-out and strong articles for new and old fans alike.

Recent Posts

“Might Delete Later” Cole Directly Addresses Kendrick

Cole takes shots throughout the album that don't directly seem related or to be addressing…

9 months ago

OG Artist Goes Uncredited: Killing Me Softly

Angelically, Lauryn Hill opens this gut-wrencher with quite lonely vocals - a refreshing yet gloomy…

9 months ago

Soulquarians: the influence of Questlove

On August 3rd, 1995 everything changed for hip-hop outcasts - Andre and Big Boy aside…

1 year ago

Kendrick Lamar’s Fear

With his poetic social commentary, Kendrick Lamar never fails to engage us politically, and DAMN…

1 year ago

How ‘RUNAWAY’ Perfectly Depicts Kanye

It's always been so amazing to me that you can listen to just a few…

1 year ago

“Before I’m Gone,” J.Cole is Preaching & You Aren’t Listening

The type of Hip Hop that blows up all over TikTok, pollutes the radio, and…

1 year ago